About

"It all begins with an idea. But first, with reading the text of the play."

When starting work, you read through the play — and after a while, faint outlines begin to form in the imagination, something impossible to express in words yet. As if from mist or darkness, fragments of visions and feelings start to emerge. Here, all of it can be captured by sketching. This is roughly how a scenography idea takes shape.

My main tools as a scenographer are space, time, form, colour, texture and light. What I find most compelling in my work is the endless possibility to juggle these instruments — telling a story and creating an illusory world for the audience, so that the viewer's imagination breaks through what they see on stage and creates in their mind a far richer and deeper image than the element that provoked it.